Photo essay: Down and out
Isabel Hees | December 8According to the National Alliance to End Homelessness, a non-profit organization, there are 441 homeless veterans in New Mexico. Jeff Anderson (53) is one of them
According to the National Alliance to End Homelessness, a non-profit organization, there are 441 homeless veterans in New Mexico. Jeff Anderson (53) is one of them
UNM student Nathan Montano donates blood to United Blood Services during the ASUNM Community Experience Blood Drive yesterday in SUB Ballroom A. The drive is part of an ongoing effort by United Blood Services to provide blood to approximately 15 million people in the western U.S.
Left to right: Angelica Gallegos, Jaymie Roybal and Japji Hundal deliberate student fee allocation recommendations. Their recommendations will be submitted to UNM President David Schmidly for approval.
The land adjacent to UNM’s Lobo Village near Avenida Cesar Chavez and I-25 sits vacant awaiting retail shops, restaurants and grocery stores. UNM Realestate Director Kim Murphy says UNM intends to develop the area as part of the University’s Master Plan.
Carlos Menchaca, 23, said he always knew he wanted to dance. He started Folklorico and Spanish Classical in his aunt’s studio in San Antonio when he was 10. His aunt knew basic flamenco choreographies, but he said he grew frustrated no one could teach him at a more advanced level. When Menchaca was 17, Yjastros: The American Flamenco Repertory Company, gave a workshop at his studio. Menchaca said he was introduced to the complex rhythms of flamenco. Menchaca said he was hooked, and three months after the workshop he moved to Albuquerque to train under the direction of Joaquin Encinias of Yjastros. Menchaca performed with Yjastros for the past five years. Recently, Menchaca performed in Yjastros’ production of El Museo, a collaboration with the UNM symphony.
Carlos Menchaca, 23, said he always knew he wanted to dance. He started Folklorico and Spanish Classical in his aunt’s studio in San Antonio when he was 10. His aunt knew basic flamenco choreographies, but he said he grew frustrated no one could teach him at a more advanced level. When Menchaca was 17, Yjastros: The American Flamenco Repertory Company, gave a workshop at his studio. Menchaca said he was introduced to the complex rhythms of flamenco. Menchaca said he was hooked, and three months after the workshop he moved to Albuquerque to train under the direction of Joaquin Encinias of Yjastros. Menchaca performed with Yjastros for the past five years. Recently, Menchaca performed in Yjastros’ production of El Museo, a collaboration with the UNM symphony.
Carlos Menchaca, 23, said he always knew he wanted to dance. He started Folklorico and Spanish Classical in his aunt’s studio in San Antonio when he was 10. His aunt knew basic flamenco choreographies, but he said he grew frustrated no one could teach him at a more advanced level. When Menchaca was 17, Yjastros: The American Flamenco Repertory Company, gave a workshop at his studio. Menchaca said he was introduced to the complex rhythms of flamenco. Menchaca said he was hooked, and three months after the workshop he moved to Albuquerque to train under the direction of Joaquin Encinias of Yjastros. Menchaca performed with Yjastros for the past five years. Recently, Menchaca performed in Yjastros’ production of El Museo, a collaboration with the UNM symphony.
Carlos Menchaca, 23, said he always knew he wanted to dance. He started Folklorico and Spanish Classical in his aunt’s studio in San Antonio when he was 10. His aunt knew basic flamenco choreographies, but he said he grew frustrated no one could teach him at a more advanced level. When Menchaca was 17, Yjastros: The American Flamenco Repertory Company, gave a workshop at his studio. Menchaca said he was introduced to the complex rhythms of flamenco. Menchaca said he was hooked, and three months after the workshop he moved to Albuquerque to train under the direction of Joaquin Encinias of Yjastros. Menchaca performed with Yjastros for the past five years. Recently, Menchaca performed in Yjastros’ production of El Museo, a collaboration with the UNM symphony.
Carlos Menchaca, 23, said he always knew he wanted to dance. He started Folklorico and Spanish Classical in his aunt’s studio in San Antonio when he was 10. His aunt knew basic flamenco choreographies, but he said he grew frustrated no one could teach him at a more advanced level. When Menchaca was 17, Yjastros: The American Flamenco Repertory Company, gave a workshop at his studio. Menchaca said he was introduced to the complex rhythms of flamenco. Menchaca said he was hooked, and three months after the workshop he moved to Albuquerque to train under the direction of Joaquin Encinias of Yjastros. Menchaca performed with Yjastros for the past five years. Recently, Menchaca performed in Yjastros’ production of El Museo, a collaboration with the UNM symphony.
Carlos Menchaca, 23, said he always knew he wanted to dance. He started Folklorico and Spanish Classical in his aunt’s studio in San Antonio when he was 10. His aunt knew basic flamenco choreographies, but he said he grew frustrated no one could teach him at a more advanced level. When Menchaca was 17, Yjastros: The American Flamenco Repertory Company, gave a workshop at his studio. Menchaca said he was introduced to the complex rhythms of flamenco. Menchaca said he was hooked, and three months after the workshop he moved to Albuquerque to train under the direction of Joaquin Encinias of Yjastros. Menchaca performed with Yjastros for the past five years. Recently, Menchaca performed in Yjastros’ production of El Museo, a collaboration with the UNM symphony.