REVIEW: ‘Beau is Afraid’ of brevity
Zara Roy | May 1Time to whip out your Ativan: auteur-at-large Ari Aster has returned for his third feature film, “Beau is Afraid.” Back at his old vices of troublesome familial dynamics and brutal weirdness, Aster now formats them into a hero’s journey with a darkly comic edge. “Beau is Afraid” is a valiant experiment diminished by its own bloated runtime and unsatisfying, loopy narrative structure. The film follows the titular Beau Wasserman (Joaquin Phoenix), an anxious and solitary man, as he attempts to return home for the burial of his overbearing mother Mona Wasserman. Along the way, he is plunged into a variety of surreal, tooth-pulling nightmare scenarios which serve to reaffirm Beau’s various Freudian neuroses.